I fear the lack of in-depth tutorials, explanation of features and how they work, and lack of any real social media presence will lead to the conclusion that DXO won’t be around long. Honestly, there are some obvious workflow and features that are missing or half-hardheartedly applied which go against every other highly intelligent features of the program… which lend to the theory. Unless DXO is an organization built around the principle of masochism, my only educated guess is they are licencing software traits from Adobe, and part of the deal is they can’t make this program too amazing. Photolab has film emulation modules -yes- but they only apply a very unsophisticated color render of the film type selected and those emulation modules lack a lot of nuance details that are beautifully featured in Filmpack5… The very same nuances that actually make Filmpack5 so amazing are not present in Photolab.Įven though you can make a full edited emulation in Filmpack and save/export the edit out as a preset, the Filmpack5 preset will not work in Photolab. There is workflow from Filmpack5 to Lightroom (which I just don’t get) … But not to their own photo editing program. P.s.Filmpack5 is not installed or functional in Photolab, nor is there any direct workflow from Filmpack5 to Photolab. If anyone would like to see what their favourite film looks like ‘simulated’ let me know and I’ll add it to the post. I’m not associated with DXO in any way by the way – I just use this software! I’ll do a post on the colour film and creative presets soon. All of these things can be altered in the editor panel.Īs a quick evaluation tool for different processing options though, it’s brilliant! Even if I can’t get exactly the result in DXO I can go into Photoshop and know what look I want to create immediately. Shooting film is still my preferred option, but if film isn’t for you, the question is – is DXO Filmpack a good film simulator? Well if you put in quite a bit of effort the results can be excellent, but the defaults are a bit strong, and the added grain can be excessive – especially for higher speed films. A general criticism of DXO Filmpack is that it adds too much grain for higher speed films by default. Not a real IR effect but quite close, and for this one the added grain was removed. This one is Rollei Ortho 25 – a good simulation of high contrast treatment.įinally Rollei IR 400. This is reflected in the simulation but it’s more useable as an image than my attempts with the film. This is Rollei Retro 80s, a film I didn’t get on with as it was much too contrasty. Now things get interesting – B/W simulations. This is cross processed Fuji Superia 200 – as with the other cross processed shots, a little less blue is needed but otherwise not bad. This next shot is the cross processed Kodak Elite 100 simulation – a dramatic difference but the saturation needs taking down a bit. The subject is the mill used in the Adox CMS20 mini test on a clear winter’s morning. All are untweaked and the default result of the film simulator. So with a straight shot from a Canon 60D with ‘neutral’ colour profile chosen on the RAW conversion, lets have a look at some of the B/W and cross processing options. The tabs above the filmstrip allow the different film simulations to be selected. I tried a trial copy of DXO Filmpack last year and realised that it gave me something close to what I’d wanted – though its not it’s main purpose! This is a mini test of some of the DXO Filmpack options.Ī screenshot is shown above – the film types along the bottom and some editing tools on the right with the current simulation displayed in the centre. What I wanted was software which would present a gallery of post processing ideas which would get me to the best result quickly – but couldn’t find any. I’ve spent hours in Photoshop tweaking colour settings and black and white conversions options on a shot, often abandoning the process as a different idea for the final ‘look’ suggests itself.
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His choices were rather surprising compared to TOP's, selecting Leenock, a relatively accomplished Zerg player, and his own teammate, LiveForever. īyuN played in the Up and Down matches, playing against opponents that he chooses due to being a finalist in Code A. However, the final match was 15 minutes long, where ByuN was unable to handle TOP's combination of excellent harass punishing his constant use of a single build throughout the series in the early and mid-game which allowed TOP to have superior macro in the late game. TOP ended up barely defeating ByuN 4-3, where TOP tended to win the shorter games and ByuN tended to win the longer, more macro based matches. In the finals of the Code A tournament, ByuN played oGsTOP in a very even best of 7. In the Ro4, ByuN played a TvT against Lyn, and defeated him 2-1. This qualified him for the Up and Down matches where he will get a chance to advance to Code S. He swept through a majority of his brackets, beating Golden in the Ro32, Killer in the Ro16, and July in the Ro8, all 2-0. Although unable to qualify for Season 3 during his race switch from Protoss to Terran, his previous qualifications were enough to make the first A-Class tournament of 2011.īyuN was able to reach the finals of the GSL 2011 January Code A tournament. Playing as Protoss, he was knocked out in the Round of 32 and 64 by Ensnare and Loner respectively. Global StarCraft II League Open Seasons īyuN qualified for the first two open seasons of the GOMTV Global Starcraft II League. On October 8, 2011, it was announced that ByuN had joined Prime. When the merge occurred, he was known by his "Bleach" ID. He ended up in 4th place after losing the bronze match to MarineKing 0-3.īyuN was once a member of the Korean clan NEX, and he was part of the initial roster that merged with the Zenith clan to form the professional gaming team ZeNEX in October 2010. Not being one of the 8 seeded players, ByuN played the single-elimination tournament until reaching the Round of 32 where he went on to defeat Genius and Zenio before losing 2-3 to NesTea. His first significant accomplishment came from competition as a Terran player in the Gainward SC2 Tournament, which began with 768 participants. During the GS元, ByuN became known as NEXExcrement on the South Korean ladder and has managed to consistently scale the Top 200. The wavelet compression algorithms (like JPEG 2000), the difference Although JPEGĬompression does not provide quite as high compression as some of The widespread use of JPEG compressionĪlso means the codecs are hardwired into many CPUs. If imagery is suitable for lossy compression, then JPEGĬompression (different from the JPEG format), which isĬompute-inexpensive to decompress due to the relative simplicity of theĪlgorithms, is recommended. Recommended for use on servers that perform processing. Read into memory, such compressions are useful, but they are not For workstationĪpplications where a complete but relatively small image is first Such as JPEG 2000, are compute-intensive to decompress. Amount of processing power required to decompress the imageĬompression requires that the system decompress the imageryīefore any processing can be applied.LERC compression is a veryĮfficient lossless or controlled lossy compression that minimizes the compute load. JPEG compression are supported in ArcGIS. SomeĬompression algorithms are much more compute-efficient than others.įormat due to it speed and the good compression ratio achieved. Compressing imageryĪlso increases the compute load for reading the imagery. Reduce data volumes, but may add unacceptable artifacts to imagery,Įspecially if it is to be used for analysis. Lossy compression algorithms can substantially Of NoData values, but generally provide minimal compression of Lossless compression algorithms, such as LZW/Deflate, can beĮffectively used to compress imagery that contains a large number SuchĬompression substantially reduces the volume of data read from diskĪnd can have a positive influence on performance, especially on Typically, a natural color image can be compressedĥ-10 times with negligible difference in image quality. Volume of data read can also be significantly reduced by usingĬompression. Minimize the volume of imagery that is read, including internal caching and limiting the If the data volume to be read is reduced, thisĬan improve performance. Imagery is tiled, then it is necessary to also maintain an index toįor any group of pixels to be processed, those pixels must be Most modern file formats areĮither tiled or include options for tiling. This makes it faster to access a group of pixels Internally into smaller tiles (typically 256x256 or 512x512 With larger files (more than 3,000 columns), the read access canīe enhanced by using a tiled image format that breaks the image Substantially more than just the section of the raster Store any part of the rows, so the amount of data read is Due to the way storage is managed as blocks onĭisk, it is still necessary for the system to read the blocks that System determines the location on disk for the first part of thatĮxtent, skips to that part and start reading only the appropriate When an extent of an image needs to be read, the The following six factors have the greatest influence on the suitability of a file format:Ī raster may be stored as a simple, non-compressed array of The performance of the storage system as well as theįormat of the imagery can have a significant effect on the Large images, ArcGIS reads on demand only the required imagery from To enable scalability for large numbers of Many traditional image workstation applications first read the complete image into memory and thenĪllow a user to make changes to the image before saving it. When a new imagery or raster product is created or persisted from another data source (such as a digital terrain model generated from stereo imagery) then the projection, pixel alignment, pixel depth, format and compression should be carefully chosen to ensure appropriate dynamic range, precision, and fast access. Including lossy or losslessĬompression in the format conversion is optional. The imagery, but it does result in data duplication. In some cases, it is advisable to change the format of the Necessary) to ensure that the pixel values do not change. High-quality interpretation, it is preferable (and sometimes Quality, possible artifacts, creation of NoData areas, and issues When imagery is processed so that the pixels are sampled (forĮxample, to change the projection), this leads to degradation in Generally, it is best to leave imagery in its original form. He is planning a “Christmas Sale” which will possibly include some “Star Wars” sets! He’ll announce when the sale will happen there. ***Important! Keep an eye on his twitter feed for the next week or more. Old fans came in droves, new fans were made, and another poster classic is in the books. This set, much like the movie, touched a nerve with viewers. The last recorded sell of this set on eBay sold for $2,225 on September 20th, 2011. Well over 45 sets sold on eBay the same day of the initial drop with prices ranging from $350-$925. People not lucky enough to get these prints on the first drop ended up buying them in huge droves on the secondary market on eBay. When the auto-complete results are available, use the up and down arrows to review and Enter to select. See more ideas about star wars art, olly moss, star wars poster. Prints I will add to my collection when I can. This print set was an instant hit right out of the gate and the print sold out online in seconds. See more ideas about star wars art, olly moss, star wars poster. Each print measured 24″ x 36″ Screenprint, with an edition size of 400 each. Who knows how many Star Wars fans scrimped on their kids Christmas gifts just so they can own a piece of classic art here. Talk about a Christmas gift for yourself. “Stars Wars Set” was released by Mondo on Decemand cost $150 for the set. r2d2, jedi, yoda, Star Wars: A New Hope Poster, a new hope, empire strikes back, tatooine, darth vader, star wars, c3po. As always, be sure you're following MondoNews for the announcement. ON SALE Star Wars (Set of 3) THIS SET INCLUDES Star Wars (Set of 3) Set of all 3 Star Wars Illustrated Art Prints by Olly Moss - Save up to 12 percent when you buy all 3 All of our posters are printed in High Definition. If you’re as big a nerd as I am, you just can’t say no to Star Wars.”- Olly Moss The posters measure 24'x36' each and will go on sale at on December 31st at a random time. I started by re-watching the original movies with a sketchbook on my lap, and just sort of went from there. I suppose my main aim was to make a set of Star Wars posters that were a little different from what people are used to seeing from the franchise, but still retained that essential Star Wars feel. “It was so intimidating! There is such a wealth of great Star Wars art out there already, from paid professionals and from enthusiastic fans. Now we have three fantastically awesome new Star Wars posters from Mondo Tees created by the same artist Each poster represents one of the the flims from the classic Star Wars trilogy. They will be printing these poster sets this week, and all orders will ship and be out the door by the end of the month (which means they could be a slightly late Christmas present for a lucky someone).Soon after, Moss was commissioned to produce a trio set for probably the Holy Grail of all SciFi trilogies, Star Wars: Earlier today we showed you a really cool Thor poster created by Olly Moss for the cast and crew of the movie. About Based in Austin, Texas, Mondo is an art gallery and online store devoted to the love of film, art, music, and collectibles. Here is a look at a mockup of what the foil variants will look like: The Art of Mondo Book by Insight Editions From 45 75 Shipping Share / Refer Drop a Hint 30-Day Guarantee Find Locally Returns Members get 2.25 back. They are also selling a SUPER LIMITED irridescent FOIL set which will be hard to get, limited to just 30 full sets. The individual prints will be available for only $30 each, and you can save $10 by purchasing the full set which will run $80. "There Goes The Planet"– 18×24 4-color hand-printed poster on natural paper. "Doesn't Look Druish"– 18×24 4-color hand-printed poster on natural paper. "Ain't Found Shit"– 18×24 4-color hand-printed poster on natural paper. All three posters will be available individually and as matched number 3-print sets (meaning the lower numbers will be held for the print sets, and those will have matching numbers). The Schwartz Awakens 3-print set from Joshua Budich will be released by Nakatomi Inc on Wednesday December 9th 2015 at 2:00pm Central time. Patients using Xofigo have an increase in bone fractures and mortality when used in combination with abiraterone acetate and prednisone/prednisolone. Increased Fractures and Mortality in Combination with Abiraterone plus Prednisone/Prednisolone: You should report signs of bleeding or infections to your health care provider. It is important to be compliant with blood cell count monitoring appointments while receiving Xofigo. Male patients should use condoms and their female partners (of reproductive potential) should use effective contraception during and for 6 months after completing treatment with Xofigo.īased on how Xofigo works it may impair a male's ability to father children if they are of reproductive potential. Male patients should not get female partners pregnant during treatment with Xofigo and for 6 months after stopping treatment. It is important to warn pregnant females and females of reproductive potential of the potential risk to a fetus. Xofigo can cause fetal harm when administered to a pregnant female. The safety and efficacy of Xofigo have not been established in females. This medicine should be discontinued in patients who experience life-threatening complications despite supportive care measures. Monitor patients with compromised bone marrow reserve closely. Discontinue Xofigo if hematologic values do not recover within 6 to 8 weeks after treatment. Warningsīone Marrow Suppression: Blood counts should be measured before the first treatment and also before every dose of Xofigo. Once Xofigo is attached to the bone cancer, it gives off radiation that breaks the DNA of the cancer cells, which kills the prostate cancer cells. Xofigo works as it acts like calcium and goes to areas of bone that are growing quickly, which is where the bone cancer is in the body. Xofigo contains a radioactive ingredient called radium 233 that concentrates in the bone where there is cancer and kills the cancer cells. Xofigo (radium 223 dichloride) is an intravenous injection used for the treatment of prostate cancer when hormonal or surgical treatment that lowers testosterone is no longer working, and the prostate cancer has spread to bones but has not spread to other parts of the body. Medically reviewed by Melisa Puckey, BPharm. The PRAC also confirmed its previous interim recommendation that the medicine must not be used with Zytiga and prednisone/prednisolone.Drug class: Therapeutic radiopharmaceuticals However, the reasons for a possible earlier death in this study are not fully understood. It is thought that Xofigo, which is taken up by the bone, accumulates at sites where the bone is already damaged, for example by osteoporosis or micro-fractures, increasing the risk of fracture. In addition, 29% of patients who received the Xofigo combination had fractures, compared with 11% of patients given placebo. In the study, patients given Xofigo with Zytiga (abiraterone acetate) and prednisone/prednisolone died on average 2.6 months earlier than those given placebo with Zytiga and prednisone/prednisolone. The study included patients with no or only mild symptoms, whereas Xofigo is only authorised in patients with symptoms. These restrictions follow a review of data from a study suggesting that patients given Xofigo seemed to be at risk of dying earlier and had more fractures than patients given placebo (a dummy treatment). Medicine should only be used after two previous treatments or when other treatments cannot be takenĮMA’s safety committee PRAC has recommended restricting the use of the cancer medicine Xofigo (radium-223 dichloride) to patients who have had two previous treatments for metastatic prostate cancer (prostate cancer that has spread to the bone) or who cannot receive other treatments. the converted photo), as well as where the file will save. your original photo), and the Output (i.e. On the left is your original image and on the right is the preview of your converted image.Īs with all Topaz software, the interface shows file details at the top left of your Input (i.e. Within a matter of seconds, your image will load and the preview will generate – giving a side-by-side comparison of your before and after images – just like with the screenshot below. From here you can choose either a single image or multiple images, as the software thankfully supports batch processing. In the centre of the screen is an Open icon – clicking on this opens your upload folder. Further to this, the Topaz site features support videos, tutorials and also a great user forum. When launching the software for the first time, it will present you with a simple three slide user guide. It only took a few moments for me to follow a set of tutorial steps, to understand how to operate JPEG to RAW AI. The interface is incredibly simple to understand and use. The Utility Bundle is frequently on discount – you can check here. Topaz Labs offer a whole range of photo editing tools which you can purchase separately, or take advantage of a big saving with the Utility bundle, which includes JPEGtoRAW AI, DeNoise AI, Gigapixel AI (read Gigapixel AI review)and Sharpen AI. Regardless of this, it’s still useful – you’ll see why below. It’s important to mention again that the file produced by this software is a DNG (or a TIF, or TIFF), which is slightly different to a RAW file that comes out of your camera.Ī DNG is Adobe’s proprietary image standard that was created to store image data in a generic format, unlike RAW files that are specific to camera types.Īs such, it’s not as ‘editable’ as a RAW would be – it’s more like the ‘next best solution’ to a JPEG. With Topaz JPEG to RAW AI, details that are minimised by the camera processor can be recovered during the editing process, without any detriment to the image quality. The more you try to edit a JPEG image, the worse the distortion will be. These are caused by trying to alter the existing data or information more than that data can be pushed. With the larger and more detailed colour space, you can effectively control saturation and vibrance without distorting the image.Īnother pitfall of trying to edit JPEG images is that it can produce ‘compression artifacts’. With this software, it’s so easy to expand the sRGB colour space up to ProPhoto RGB, making the converted file highly manageable. Usually, JPEG images are shot in the sRGB colour space making them difficult to edit without impacting colour patterns and saturation. It works to enhance the range of colour (colour space) available in your images. Using Topaz Labs JPEG to RAW AI, it’s amazing to see an unusable JPEG image transform into a workable and recoverable RAW file. (I found that I could use its AI function to predict and recover lost elements in my JPEG photos, even in incredibly dark areas of my photos.)Īs a result, you can be quite heavy-handed in how you use your editing software to push and pull contrast, shadows and highlights. Using this software goes a long way to recovering lost shadows and highlights. JPEG images – either shot directly as JPEG or converted to JPEG using software – lose a great amount of dynamic range. Most importantly, JPEG to RAW AI is effective at erasing compression artifacts from JPEG images and restoring colour detail. It literally increases the size of the image file as a result – in most cases, it doubles the amount of data! The tool uses the AI knowledge that’s been fed into it, to build upon the existing data in the file. (The final file format is actually a 16 bit TIFF or DNG file.) JPEG to RAW AI is a downloadable image editor that uses machine learning to convert JPEG images to high-quality RAW files for easier editing. The album was announced alongside the release of lead single " Say Nothing", featuring May-a. It includes collaborations with Oklou, May-a, Quiet Bison, Kučka, Laurel, Virgen María, Emma Louise, Caroline Polachek and Damon Albarn. 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